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Book Reviews

Contents  Dimitrios Latsis on Film, Art, New Media: Museum without Walls? Kath Dooley on The Beauty of the Real: What Hollywood Can Learn From Contemporary French

Cadaveri Eccellenti/Illustrious Corpses [1976) Comments Off

To Sign One’s Life (With Cinema) Francesco Rosi, Giuseppe Tornatore. Io lo Chiamo Cinematografo.

In the midst of one of his conversations with fellow director Giuseppe Tornatore, Francesco Rosi interrupts his own argument and says: ‘You should have called this book A life,

Immemory (Chris Marker, 1997) Comments Off

Angela Dalle Vacche (ed), Film, Art, New Media: Museum without Walls?

A salient characteristic of theoretical discourse in any field is its cyclical nature. Debates of one generation of theorists are mirrored in their time’s scholarship,

Clay (1965) Comments Off

Giorgio Mangiamele. Cinematographer of the Italian Migrant Experience

After years of neglect, the story and films of Giorgio Mangiamele has now become the object of wider attention with the release of a DVD

Warner Roadshow Studios Comments Off

Goldsmith B, Ward S and O’Regan T, 2010, Local Hollywood: Global Film Production and the Gold Coast

In 1988 Warner Roadshow Studios opened on the Gold Coast in south-east Queensland, with four soundstages and other facilities to support film and television production.

Jedda (Charles Chauvel, 1955) Comments Off

Jedda by Jane Mills

In her new book Jane Mills reinterprets and critiques one of Australia’s most controversial film classics, Jedda (Charles Chauvel, 1955). This book belongs to the

Gelegenheitsarbeit einer Sklavin (Casual Work of a Female Slave), 1973 Comments Off

Alexander Kluge: ‘something almost monstrous in so much talent’

Alexander Kluge: Raw Materials for the Imagination by Tara Forrest (ed.) Is there anybody on the face of the Earth, in any field of the arts

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The Beauty of the Real: What Hollywood Can Learn From Contemporary French Actresses by Mick LaSalle

In 2008 French actress Catherine Deneuve (then aged sixty-four) made her 100th screen appearance in Arnaud Desplechin’s Un Conte de Noel/A Christmas Tale. In the

Russian Ark (Sokurov, 2002) Comments Off

The Confessions of a Justified Filmgoer

J. Hoberman’s Film After Film: Or, What Became of 21st Century Cinema? In Totally, Tenderly, Tragically, critic and essayist Phillip Lopate says, “it isn’t that I’m

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Book Reviews

Contents  Nicholas Godfrey on The long game: Conversations with independent iconoclasts Roger Corman, George A. Romero, and Charles Burnett Douglas Gomery on America’s Corporate Art:

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