Contents: Renegotiating Romanticism and the All-American Boy Child: Alfred Hitchcock’s The Trouble with Harry by Adrian Schober Nick’s Movies by Blaine Allan Jewish Streetscapes: Ken
“[…] New York City is the place where they said Hey babe, take a walk on the wild side […]” –Lou Reed, Walk on the
Jonathan Rosenbaum recently offered some useful, brief observations on two versions of Nicholas Ray’s last film, a collaboration with Wim Wenders. (1) A third (of
Is there really nothing in Simon Curtis’ film My Week with Marilyn (2011) that we did not know already about Marilyn Monroe? Apart from Michelle
‘Social films’ (Film-e ejtema’i), understood in Iranian film reviews and journalistic discourse as socio-politically committed films characterized by realist aesthetics and mode of narration, have
Writing in 1926, Virginia Woolf expressed a certain suspicion that, if anywhere, “the past could be unrolled, distances annihilated [...] in the chaos of the
Well-reviewed in its time, Steven Soderbergh’s 2002 film Solaris placed a paltry 124th on the US box office for the year and its total gross
Jorge Lorenzo Flores Garza’s On the Road by Jack Kerouac had its Australian premiere in July this year at the Walker Street Gallery in Melbourne.
In The Poetics of Space, Gaston Bachelard describes enclosed light viewed from a distance as an image of refuge for those who have been travelling.
Tightly knit and momentarily coherent within its own perimeter, the Lower East Side nevertheless represented an experiment in collective rootlessness, a brief transcendence over nationhood